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Bartók forever
Johann Georg Albrechtsberger (1736-1809): Kurze Regeln des reinsten Satzes
Bartók forever
5:27 Est. Play
Time
159 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran
(C-Schlüssel)		 15 0 5 5 97%
Tenor
(C-Schlüssel)		 17 0 5 5 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran
(C-Schlüssel)		 15 0 5 5 97%
Tenor
(C-Schlüssel)		 17 0 5 5 97%
Alt
(C-Schlüssel)		 14 0 3 5 97%
Bass Bass 14 3 4 5 76%
Klavier Treble 10 8 3 1 5%
Bass 5 2 0 1 4%
 
Modus Ludendi Pleno Organo Pedaliter. SSWV 157
Bartók forever
3:03 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 4 5 98%
Bass 18 0 6 5 98%
15 0 4 5 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 4 5 98%
Bass 18 0 6 5 98%
15 0 4 5 98%
 
Once upon a time
Bartók forever
2:05 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 14 1 3 4 54%
Tuba Bass 19 0 8 5 54%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 14 1 3 4 54%
Tuba Bass 19 0 8 5 54%
Flügelhorn Treble 14 0 2 4 48%
Treble 7 0 1 4 15%
Flöte Treble 18 0 7 4 44%
Horn
in
F		 Treble 19 0 7 5 41%
Klarinette
in
B		 Treble 10 0 4 5 28%
Pauke Bass 3 0 0 3 19%
 
La Battaglia
Bartók forever
2:31 Est. Play
Time
114 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pieno Treble 14 0 1 6 100%
Bass 17 0 2 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pieno Treble 14 0 1 6 100%
Bass 17 0 2 5 100%
Ottava
e
flauto		 Treble 12 0 1 5 56%
Bass 14 0 2 5 56%
Ottava,
Flauto
e
Principale		 Treble 6 0 0 5 11%
Bass 5 0 0 5 11%
Vuoto Treble 5 0 0 2 7%
Bass 3 0 0 1 7%
 
What power art thou? (Purcell, King Arthur Act III aka "Cold Scene")
Bartók forever
2:32 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 29 98 10 2 100%
Bass 15 0 5 2 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 29 98 10 2 100%
Bass 15 0 5 2 100%
Violine
I/II		 Treble 19 0 7 2 100%
Treble 18 0 6 2 100%
Basso
Continuo		 Bass 15 0 5 2 100%
Bratsche 19 0 6 2 100%
Bass Bass 16 0 6 4 69%
 
Gedenke doch, mein Geist, zurücke (Aria) BWV 509
Bartók forever
0:51 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 8 3 4 100%
Bass 18 0 4 2 100%
Sopran Treble 16 0 5 4 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 8 3 4 100%
Bass 18 0 4 2 100%
Sopran Treble 16 0 5 4 71%
 
Passametzo
Bartók forever
3:06 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 12 4 6 100%
Bass 16 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 12 4 6 100%
Bass 16 0 2 5 100%
 
Wandrers Nachtlied II D 768 (1822)
Bartók forever
1:52 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 7 5 0 5 63%
Bass 20 18 5 5 100%
Voice Treble 9 0 1 6 79%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 7 5 0 5 63%
Bass 20 18 5 5 100%
Voice Treble 9 0 1 6 79%
 
O Maria sei gegrüßt
Bartók forever
0:49 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 14 0 2 3 100%
Orgel Treble 14 0 2 4 57%
Bass 17 0 4 4 57%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 14 0 2 3 100%
Orgel Treble 14 0 2 4 57%
Bass 17 0 4 4 57%
 
Befiehl du deine Wege BWV 272
Bartók forever
0:53 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alt Treble 12 0 4 5 100%
Bass Bass 16 0 5 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alt Treble 12 0 4 5 100%
Bass Bass 16 0 5 5 100%
Sopran Treble 10 0 2 5 100%
Tenor Treble 10 0 2 6 100%
 
Ballet
Bartók forever
1:41 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 20 14 7 7 100%
Bass 19 1 5 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 20 14 7 7 100%
Bass 19 1 5 5 96%
 
Two Giggs
Bartók forever
2:06 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 17 6 3 6 100%
Treble 17 4 3 5 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 17 6 3 6 100%
Treble 17 4 3 5 97%
Bass 18 16 4 6 84%
Bass 21 16 4 6 84%
 
Tombeau de Monsr. de Lenclos
Bartók forever
0:50 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavichord Treble 15 4 5 6 97%
Bass 16 5 2 4 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavichord Treble 15 4 5 6 97%
Bass 16 5 2 4 92%
 
"Im Walde" from "Liederkreis", op. 39, 1840
Bartók forever
1:28 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 34 7 4 100%
Bass 17 12 3 4 100%
Voice Treble 12 0 3 6 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 34 7 4 100%
Bass 17 12 3 4 100%
Voice Treble 12 0 3 6 73%
 
A Journey through Mikrokosmos (II + III)
Bartók forever
6:33 Est. Play
Time
197 Measures
1,957Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tuba Bass 23 0 12 6 48%
Posaune Bass 15 0 8 6 40%
View all 24 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tuba Bass 23 0 12 6 48%
Posaune Bass 15 0 8 6 40%
Trompete
in
B		 Treble 14 0 1 5 22%
Treble 10 0 3 5 32%
Flöte Treble 22 0 11 5 32%
Oboe Treble 16 1 5 5 21%
Horn
in
F		 Treble 21 0 10 6 20%
Klarinette
in
B		 Treble 14 0 6 6 17%
Flügelhorn Treble 14 0 2 4 13%
Treble 7 0 1 4 4%
Altsaxophon Treble 4 0 0 6 6%
Treble 4 0 0 6 8%
Treble 6 0 0 6 11%
Treble 6 0 0 6 11%
Treble 5 0 0 6 11%
Treble 5 0 0 6 10%
Treble 5 0 0 6 11%
Treble 6 0 0 6 13%
Klarinette
in
A		 Treble 4 0 0 4 11%
Treble 4 0 1 4 10%
Treble 5 0 1 3 10%
Bassklarinette
in
A		 Treble 6 0 1 4 10%
Pauke Bass 3 0 0 3 5%
Piccoloflöte Treble 6 0 0 2 2%
 
Sinfonia 5 BWV 791 arr. for two Vlns. and B. c.
Bartók forever
2:00 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 22 0 6 3 100%
Violine
1		 Treble 14 0 2 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 22 0 6 3 100%
Violine
1		 Treble 14 0 2 5 100%
Violoncello Bass 22 0 6 3 100%
Violine
2		 Treble 17 0 4 5 97%
Realization Treble 18 37 6 5 93%
 
Verso de Magnificat del septimo tono
Bartók forever
2:14 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 18 0 5 5 67%
Bass 15 1 2 5 78%
Stimme Treble 6 0 0 1 34%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 18 0 5 5 67%
Bass 15 1 2 5 78%
Stimme Treble 6 0 0 1 34%